That philosophy has shaped many of his biggest records. Wa$hington explains, “Most of the hits I’ve created I kind of knew were hits, considering they all had an element where I felt as though I tapped into an energy outside of myself, and no matter how much more tweaking, it was impossible to improve the track. That happened with both Raincheck and Money Talks.” Still, surprises have emerged along the way. “A surprise hit I would mention is either Smitty Werbenjagermanjensen, which was meant to be a carefree meme track but turned out to develop a fanbase, as well as Hyde, which is essentially an EDM/trap crossover that I didn’t necessarily expect to become as big as it did,” he states.
As for his creative direction moving forward, Wa$hington is clear that growth lies in balance. “When I’m working on new music, I balance experimenting with new sounds versus sticking to what my audience loves by not putting myself in a box creatively. In short, I’m always experimenting and taking in ideas from outside influences. I don’t necessarily have a specific sound, but I know my audience wants to hear some bars, and no matter if the song is more wavy and chill, I will definitely sprinkle in some thought-provoking bars.” Wa$hington’s approach reflects an artist who thrives on innovation while respecting the connection he has built with his listeners. Each project is not just a collection of tracks but a carefully curated statement, revealing his belief that music should capture both a moment and a message.
